How Art Made the World With Nigel Spivey Dvd Isbn 1419821040
| How Fine art Made the Globe | |
|---|---|
| Genre | Documentary |
| Presented by | Nigel Spivey |
| Country of origin | United Kingdom |
| Original language | English |
| No. of series | 1 |
| No. of episodes | 5 |
| Production | |
| Executive producer | Kim Thomas |
| Producer | Mark Hedgecoe |
| Running time | threescore minutes |
| Distributor | BBC |
| Release | |
| Original network | BBC 1 |
| Original release | 26 June (2005-06-26) – 24 July 2005 (2005-07-24) |
How Art Made the World is a 2005 five-role BBC One documentary series, with each episode looking at the influence of art on the current day situation of our society.[ane] [2]
"The essential premise of the show," according to Nigel Spivey, "is that of all the defining characteristics of humanity as a species, none is more than basic than the inclination to brand art. Slap-up apes volition smear paint on canvass if they are given brushes and shown how, but they do non instinctively produce art whatsoever more than than parrots produce conversation. We humans are alone in developing the chapters for symbolic imagery."[three]
Episodes [edit]
Images dominate our lives. They tell us how to bear, even how to feel. They mould and ascertain united states of america. Simply why do these images, the pictures, symbols and the art we run across around us every day, have such a powerful concord on usa? The answer lies non hither in our fourth dimension but thousands of years agone. Because when our ancient ancestors kickoff created the images that made sense of their world, they produced a visual legacy which has helped to shape our own.
In this serial we'll be travelling around the earth, discovering the world's most stunning treasures. We'll see how the struggles of early on artists led to the triumphs of the world's bully civilisations. Our journey will take u.s.a. through a hundred thousand years of history. We'll exist witnessing some of the extraordinary ceremonies of the world's oldest artistic cultures. And nosotros'll reveal how they unlock the deepest secrets of ancient art, We'll be hearing from the people who made these discoveries. And we'll be using science to uncover how thousands of years ago the homo listen collection u.s.a. to create amazing images, You lot'll never await at our earth the same way again, for this is the epic story of how nosotros humans made art and how fine art made the states human.
—Nigel Spivey's opening narration
Episode ane: More Human Than Homo... [edit]
The first episode asks why humans surround themselves with images of the torso that are and then unrealistic.[4] [5]
The fact is people rarely create images of the body that are realistic. What'southward going on? Why is our world so dominated past images of the body that are and so unrealistic?
—Nigel Spivey's opening narration
Dr. Spive begins his investigation by travelling to Willendorf, where in 1908 three Austrian archaeologists discovered the Venus of Willendorf, an 11 cm (4.3 in) high statuette of a female person figure, estimated to have been fabricated between 24,000 and 22,000 BCE. Spivey travels to the Naturhistorisches Museum in Vienna to examine the Venus's grotesquely exaggerated breasts and abdomen, as well as its lack of arms and face, which shows the desire to exaggerate dates dorsum to the very first images of the human trunk created by our ancestors. Spivey speculates that, The people who fabricated this statue lived in a harsh water ice-age surroundings where features of fatness and fertility would have been highly desirable, and several similar statuettes collectively referred to as Venus figurines show that this exaggerated body image continued for millennia.[6]
Neuroscientist Vilayanur South. Ramachandran speculates that the reason for this lies in a neurological principle known as the supernormal stimulus, which Spivey demonstrates past replicating Nikolaas Tinbergen's experiment with Herring gull chicks. When the chicks are shown a xanthous stick with a single ruby line made to represent their mother'southward beak, they tap on it as they are programmed to do to need food. However, when they are presented with a stick with three red lines they tap on it with increased enthusiasm even in comparing to the original neb. Ramachandran concludes, "I remember there's an analogy hither in that what'southward going on in the brains of our ancestors, the artists who were creating these Venus figurines were producing grossly exaggerated versions, the equivalent for their brain of what the stick with the 3 reddish stripes is for the chick'due south brain."[7]
Spivey adjacent travels to Egypt to discover if the gross exaggerations of hard-wired herring gull instincts of the nomadic artisans survived into the era of civilization. The Egyptian images of the human body, which he discovers at the Tomb of Pharaoh Rameses VI and the Karnak Temple Complex, were regular and repeated, and nothing well-nigh them was exaggerated. Mapped onto the wall at the unfinished Tomb of Amenhotep III'south vizier Ramose he discovers the grid which dictated the precise proportions and composition of these images for three thousand years. The Egyptians created images of the body this way, Spivy concludes, not because of how their brains were hard-wired but because of their culture. [viii]
Spivey finally travels to Italian republic, where Stefano Mariottini relates his extraordinary discovery off the coast of Riace, near Reggio Calabria. Equally revealed in an antique re-create of Herodotus in St John's College Old Library, Greek sculptors learned the Egyptians' techniques and initially created truly realistic depictions of the homo body, like Kritian Male child at the Acropolis Museum in Athens, Greece. However, according to Ramachandran, the problem with the Kritian Boy is information technology was too realistic, that makes it boring, and the style was soon abased. Spivey states that, the Greeks discovered they had to practice interesting things with the human form, such equally distorting it in lawful ways, and examines the pioneering work of a sculptor and mathematician called Polyclitus, as exemplified in the Riace bronzes at the Museo Nazionale della Magna Grecia. Spivey concludes that the first civilisation capable of realism had used exaggeration to go further, and information technology'south that instinct which still dominates our earth today. [nine]
This is the respond to our mystery. This is why the bodies in our modern world expect the way they do. The reality is we humans don't like reality. The shared biological instinct to prefer carefully exaggerated images links united states inexorably with our ancient ancestors, and yet what we cull to exaggerate is where science gets left behind. That'due south where the magic comes in.
—Nigel Spivey'south endmost narration
Episode two: The Day Pictures Were Born [edit]
The second episode asks how the very kickoff pictures always made were created and reveals how images may have triggered the greatest change in human history.[4] [10]
I could draw almost annihilation in the world and you lot'd probably guess what it was, But at that place must have been some point in our homo story when we kickoff got this ability, some moment in time when nosotros began to create pictures and to understand what they meant. Then what happened back then? How did we commencement get this ability to create images? To detect the answer, we need to go way dorsum in time.
—Nigel Spivey'due south opening narration
Dr. Spivey begins his investigation by travelling to the Cave of Altamira well-nigh the boondocks of Santillana del Mar in Cantabria, Spain, where in 1879 a young daughter's assertion of Papa. Look, oxen. to her male parent, local apprentice archeologist Marcelino Sanz de Sautuola, is explained to accept meant that Maria had just go the first modern human to set eyes on the offset gallery of prehistoric paintings e'er to be discovered. The find revealed that, Most 35,000 years ago, nosotros began to create pictures and to understand what they meant. French priest Henri Breuil believed that, prehistoric artists painted animals to increment their chances of a successful hunt, simply the animals painted here and at other sites such as the Pech Merle in France, as well visited by Spivey, did not match the bones discovered and abstruse patterns revealed the artists weren't but copying from real life.
Spivey next travels to the Drakensberg Mountains of South Africa, where rock painting made 200 years ago by the San people and similarly dismissed equally hunting scenes, are revealed by anthropologist David Lewis-Williams to comprise many of the same unusual features. 19th century interviews with the San by German linguist Wilhelm Bleek reveal the importance of trance within their civilisation, an observation confirmed past Spivey after watching a shamanistic ritual performed past their nowadays-twenty-four hour period descendants in a village near Tsumkwe, Namibia far from the mountains. Lewis-Williams theorises that, the paintings were not just pictures of everyday life, but they were virtually spiritual experiences in a trance state.
Media data [edit]
DVD release [edit]
Released on Region two DVD by BBC DVD on 30 May 2005.[eleven]
Companion book [edit]
The 2005 companion book to the series was written by presenter Nigel Spivey.[12]
Selected editions [edit]
- Spivey, Nigel (28 April 2005). How Art Fabricated the World: A Journey to the Origins of Art. BBC Books (hardcover). ISBN978-0563522058.
- Spivey, Nigel (viii November 2005). How Art Fabricated the World: A Journeying to the Origins of Art. Basic Books (hardcover). ISBN978-0465081813.
- Spivey, Nigel (7 November 2006). How Art Made the World: A Journeying to the Origins of Fine art. Basic Books (paperback). ISBN978-0465081820.
References [edit]
- ^ "How Art Made the World". BBC Science & Nature. Retrieved 12 June 2012.
- ^ "How Art Made The Earth – part of a rich summer of arts on BBC Idiot box". BBC Printing Office. 31 March 2005. Retrieved 12 June 2012.
- ^ "How Art Made the World: About the Series". PBS. Retrieved 12 June 2012.
- ^ a b "How Fine art Fabricated the World: Programmes". BBC Science & Nature. Retrieved 12 June 2012.
- ^ "How Art Fabricated the World: More Human Than Man". PBS. Retrieved 12 June 2012.
- ^ "The Venus of Willendorf: Exaggerated Dazzler". PBS. Retrieved 12 June 2012.
- ^ "V.South. Ramachandran: The Herring Gull Test". PBS. Retrieved 12 June 2012.
- ^ "Egypt: Obsessive Order". PBS. Retrieved 12 June 2012.
- ^ "Aboriginal Greece: Naked Perfection". PBS. Retrieved 12 June 2012.
- ^ "How Fine art Made the World: The Twenty-four hour period Pictures Were Born". PBS. Retrieved 16 June 2012.
- ^ "How Fine art Fabricated the World". BBC Store. Retrieved 16 June 2012.
- ^ "How Art Made the Earth: A Journeying to the Origins of Fine art". BBC Store. Retrieved 16 June 2012.
External links [edit]
- How Art Fabricated the World at BBC Online
- How Art Made the World at IMDb
moynihanbetimesely.blogspot.com
Source: https://en.wikipedia.org/wiki/How_Art_Made_the_World
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